…researching, practicing and applying “faux” (sounds like “go”. Silent X) wood graining using ancient and modern methods, materials and tools from masters in the US, France, the UK, Italy…
Back in the early 90’s when I started working as a decorative painter, learning how to grain was all up hill. There was virtually no information available on the subject. A few ancient books with black and white drawings, outdated color and material formulas and little else.
Even the decent faux finishing books available only had short and poorly developed faux wood sections.
Then I stumbled on to some examples of woodgrain by great European decorators that were so realistic and spectacular that they completely rocked my world.
I started looking at faux graining in a totally different way. Specifically, that it was possible to take some brushes and paints and make something look, not sort of wood like, but EXACTLY like high-end, rare, gorgeous hard wood crafted by master wood workers!
Problem was, there was no training available anywhere in the US to learn the advanced wood graining being practiced in France, Italy and the UK.
But I was obsessed. I collected every book available on the subject. Some of them with gorgeous images by the European masters, but terribly translated instructions.
I tried, with little success, to learn from these resources. My results were okay, I could paint reasonably realistic grain, but something was missing.
One day I was meeting a friend in a the old Union Train Station building in downtown Seattle. As I waited, I sat down on one of the long Antique Brown Oak benches.
Of course I noticed the gorgeous grain in the ancient wood, worn to a fine finish by hands, legs and rumps of the train station visitors over decades
Sitting down on this old growth oak bench led to an epiphany: I was focusing on the wrong thing! If I wanted to paint realistic faux wood, I needed to stop reading faux finishing books and start studying REAL WOOD!
Just like an artist needs a real live model (or a high quality image) when creating a portrait, I needed to stop looking at faux wood and start looking at the real thing.
So I took what little info I had and experimenting with my own ideas.
Observing and copying real, valuable, highly desirable hard woods is the best way to create awesome faux woodgrain paint.
And this lead to another realization, something very interesting and powerful: You don’t have to be a master European artist to execute stunning, realistic painted wood grain.
After years of transforming ordinary kitchen cabinets to look like Black Walnut, making bland plywood look like choice cuts of Cherry Wood, doing projects for everyone from house wives to celebrities to captains of industry, my friends and clients started suggesting I create training for those who want to learn woodgrain painting.
So that’s what I’ve been up to; compiling all my hard earned knowledge into faux wood grain courses that anyone can learn from.
Please click below for more info on how you to can learn to create realistic faux wood.
Thanks for reading.
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